The final words of Molly's reverie, and the final words of the book, are: In the course of the monologue, Molly accepts Leopold into her bed, frets about his health, and then reminisces about their first meeting and about when she knew she was in love with him.

The final chapter is referred to as 'Penelope', after Molly's mythical counterpart. Most critics since Stuart Gilbert, in his James Joyce's Ulysses, have named the episodes and they are often called chapters. Joyce's novel presented the action with numbered 'episodes' rather than named chapters. Molly's physicality is often contrasted with the intellectualism of the male characters, Stephen Dedalus in particular. Molly Bloom's soliloquy is the eighteenth and final 'episode' of Ulysses, in which the thoughts of Molly Bloom are presented in contrast to those of the previous narrators, Leopold Bloom and Stephen Dedalus. The final chapter of Ulysses, often called ' Molly Bloom's Soliloquy', is a long and unpunctuated passage comprising her thoughts as she lies in bed next to Bloom. In Dublin, Molly is an opera singer of some renown. She is also the mother of Rudy Bloom, who died at the age of 11 days. She is the mother of Milly Bloom, who, at the age of 15, has left home to study photography. Molly and Leopold were married on 8 October 1888. Molly, whose given name is Marion, was born in Gibraltar on 8 September 1870, the daughter of Major Tweedy, an Irish military officer, and Lunita Laredo, a Gibraltarian of Spanish descent. Molly is having an affair with Hugh 'Blazes' Boylan. The major difference between Molly and Penelope is that while Penelope is eternally faithful, Molly is not.

The wife of main character Leopold Bloom, she roughly corresponds to Penelope in the Odyssey. Molly Bloom is a fictional character in the 1922 novel Ulysses by James Joyce. Molly Bloom's statue in her fictional home in Gibraltar

Molly bloom soliloquy